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The Callboard:
The Callboard:
The online home of the men and women of the Department of Theatre
and The Clarence Brown Theatre at the University of Tennessee

The Callboard Blog

February 16, 2008

Intimate Apparel to Open

Tickets to the Clarence Brown Theatre Production of Intimate Apparel  are on sale now!
 
Intimate Apparel is a beautiful story of strength and resilience, of a talented woman with few opportunities but with an indomitable spirit.  It is also a story of a time and place, and an experience that has had little attention from a writer of great compassion and insight.  We are very excited to present this play,” said Calvin MacLean, artistic director of the Clarence Brown Theatre and head of the UT Theatre Department.
 
Set in 1905 New York City, Intimate Apparel  tells the story of Esther, an African American seamstress who lives in a boarding house for women and sews intimate apparel for clients who range from wealthy white patrons to prostitutes.  Her skills and discretion are much in demand, and she has managed to stuff a goodly sum of money into her quilt over time. One by one the other women in the boarding house marry and move away, but Esther remains, lonely and longing for a husband and a future. Her plan is to find the right man and use the money she¹s saved to open a beauty parlor. She begins to receive beautiful letters from a lonesome Caribbean man named George who is working on the Panama Canal. Over time the correspondence becomes increasingly intimate until George persuades her that they should marry.  Esther¹s future and her spirit are held in trust with her decision.

Director Andrea J. Dymond is currently Resident Director at Victory Gardens Theater, in Chicago. Formerly Literary Manager at Victory Gardens Theater, Andrea has worked in new play development for more than twenty years. A recent TCG New Generations Grant recipient she was Co-Artistic Director of American Blues Theater and Artistic Associate at City Lit Theatre Company, where her directing work included the long-running production Coffee Will Make You Black. Andrea teaches acting and directing on the faculty of Columbia College, Chicago.

Performing the role of George Armstrong, Adeoye is a resident of Chicago where he most recently appeared in the Jeff Nominated World Premier production of Black Diamond - The Years the Locusts Have Eaten  at Lookingglass Theatre. He also has performed at the Steppenwolf Theatre, Goodman Theatre and the Kansas City Repertory Theatre.

Third year MFA candidate Shinnerrie Jackson will perform the role of Esther. A graduate of Oberlin Conservatory of Music, she received her Bachelor of Music Degree in Vocal Performance. CBT credits include: A Christmas Carol; Major Barbara; No Exit; King Lear; A Year with Frog and Toad; All My Sons. Favorite non CBT roles include: (Ariel) The Tempest (Shakespeare in the Square), Ruth in A Raisin in the Sun (Stage Aurora Theatre), and Martha in Who’s Afraid of Virginia Woolf? (Oberlin College).

Playing Mr. Marks, Zack Fine is a third year MFA candidate. He received a B.A. from Oberlin College, trained at the Actors Center in New York City, and proudly hails from Chicago, IL.

Tracey Copeland Halter (Mrs.Dickson), a member of the UT faculty since 2005, has an MFA in Theatre from New York University.  She has performed in several CBT productions. Other credits include: Broadway and in regional theatres across the country.

Samantha D. Tanner (Mayme) received her BFA in Theatre from the University of Illinois at Urbana-Champaign. In 2007 she received a nomination for Most Promising Actress by the Black Theatre Alliance and is a proud member of the Screen Actors Guild.

Lindsay Torrey (Mrs. Van Buren) is a third year student in the graduate acting program at UT.  A native New Yorker, Lindsay trained at The Actors Center and received her BA from Columbia University.

Christopher Pickart, Scenic Designer, has designed over 150 productions at theatres including the Utah Shakespeare Festival, Children’s Theatre in Minneapolis, the Arden Theatre in Philadelphia, the City Theatre in Pittsburgh, the Shakespeare Festival of St. Louis, the Coast Playhouse in Los Angeles, Virginia Stage Company, the Olney Theatre Centre in Washington, DC, among many others. In 1999, he received the Young Designer’s Fellowship from the National Endowment for the Arts and the Theatre Communications Group.

Costume Designer Emily Strickland, is currently in her second year of MFA study in Costume Design. She received her BFA in Theatre Design and Technology from the University of Central Florida. Most recently she received the SETC Graduate Costume Design Award for The Birds and the Marian A. Smith Scholarship for 2007.

Lighting Designer Catherine Girardi is a second year UT Lighting Design graduate student. Previous designs include Antigone and All My Sons for The Clarence Brown Theatre,  It’s a Wonderful Life for North Carolina Stage Company, Goodly Creatures for The Virginia Stage Company, and The Catcher in the Rye and The Walker Project for The Governor’s School for the Arts in Norfolk, VA.

Mike Ponder Sound Designer, has been the Resident Sound Designer for the UT theatre program and it¹s associated Clarence Brown Professional Company for 10 years.

Preview for Intimate Apparel  is Thursday, February 21, followed by Opening Night Friday, February 22. The show runs through Sunday, March 9. Evening performances begin at 7:30 p.m. Matinees begin at 2 p.m.  UT faculty/staff, senior citizens, children and students and groups receive discounts. For tickets, call the Clarence Brown Theatre box office at 865-974-5161, Tickets Unlimited at 865-656-4444 or online at www.clarencebrowntheatre.com.



Intimate Apparel

Photo caption:  Shinnerrie Jackson as Esther Mills and (uppper rr) Adoeye as George Armstrong in CBT’s Intimate Apparel
                                               
 
 

 

February 15, 2008

Clarence Brown Theatre 08/09 Season

I am happy to announce our next season:

Ain’t Misbehavin’,   the Fats Waller Musical Show
based on an idea by Murray Horwitz and Richard Maltby, Jr.
September 4-29
This will be a LORT production, in the CBT.

The Secret Rapture   by David Hare
October 16-26
A University production, in the Lab Theatre.

The Marriage of Bette and Boo  by Christopher Durang
October 30-November 17
A University production, in the Carousel Theatre.

A Christmas Carol  by Charles Dickens
November 26-December 22
A LORT production, in the CBT.

The Triumph of Love  by Pierre Marivaux 
adapted by Stephen Wadsworth
January 29-February 15
A LORT production, in the CBT.

Love’s Labour’s Lost  by William Shakespeare
February 26-March 14
A University production, in the Carousel Theatre.

Copenhagen  by Michael Frayn
March 26-TBD
A LORT production, in the Carousel Theatre

Flyin West  by Pearl Cleage
April 2-12
A University production, in the Lab Theatre.

Tommy  by The Who
April 16-May 3
A University production, in the CBT.

I am very excited about this season.  It provides our educational program with a rich challenges, and it provides our community with a variety of exciting theatre.  Many thanks to all for your input and suggestions. 

Calvin MacLean
Artistic Director,
The Clarence Brown Theatre Head,
Department of Theatre

 

February 6, 2008

Discussion: Science, Ethics and Power in Galileo’s Trial and Brecht’s Play

To complement the Clarence Brown Theatre’s production of Brecht’s The Life of Galileo, Jed Diamond from the Department of Theatre will host a public discussion entitled: Science, Ethics and Power in Galileo’s Trial and Brecht’s Play on Sunday, February 10 at 4:30 p.m. in the theatre immediately following the 2 p.m. matinee.

Dr. Robert Bast will be speaking on the topic of Galileo, the Church and the Roman Inquisition. He holds a B.A. in English literature from Hope College and a Masters of Divinity from Western Theological Seminary in Holland, Michigan. He spent two years as a Fulbright Fellow at the University of Tubingen in Germany, and in 1993 received his PhD in History from the University of Arizona. As founding director of the Marco Institute, he has helped to bring national prominence to UT’s interdisciplinary programs in Medieval and Renaissance Studies. Among his publications is a monograph on the intersections of religious reform and political power entitled “Honor Your Fathers: Catechisms and the Emergence of a Patriarchal Ideology in Germany, c. 1400-1600.”

Dr. Jeffrey Kovac will speak on the topic of Power, Money, and Ethics in Science. Dr. Kovac was educated at Reed College (B.A, 1970, Chemistry) and Yale University (M.Phil, 1972 and Ph.D., 1974, Theoretical Chemistry). Since 1994 he has also been the Director of the Tennessee Governor’s Schools for the Sciences and Engineering. His scholarly interests include statistical mechanics, equilibrium and non-equilibrium thermodynamics, computer simulation, history and philosophy of science, scientific ethics, chemical education, and most recently the history and philosophy of pacifism.

Roderick Peeples has been based in Chicago since 1990. Over the years he has appeared in many Chicago productions, including the Chicago Shakespeare, Court, Steppenwolf, Next and Victory Gardens theatres. On television, he has appeared in Prison Break, ER, What About Joan, Early Edition, and The Untouchables series. Film work includes Robert Altman’s The Company, Road to Perdition, Novocaine, Payback: Director’s Cut, and The Hudsucker Proxy.

 

In the Lab: Two Rooms

Filed under: Theatre, Students — rchoover @ 5:01 pm

The Blogmaster here didn’t receive any direct releases or information on the following, so he is relying on third-party reports…

Lee Blessing’s Two Rooms will be performed this week in the Clarence Brown Lab Theatre.  The show, about a husband and wife torn apart by events in Beirut, Lebanon, is directed by UT senior in music Jonathan Seymore.

Performance Dates:

  • Thursday, February 7  8 p.m.
  • Friday, February 8  8 p.m.
  • Saturday, February 9  8 p.m.
  • Sunday, February 10  2 p.m.

Admission is free — all performances in the Clarence Brown Lab Theatre.  Enter from the Pedestrian Mall near the intersection of Andy Holt Avenue and Melrose Place.

For more information, see this article in the UT Daily Beacon.
 

 

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